A recent edition of BBC Panorama, ‘Death on the Med’ (16 August), set out to investigate Israel’s assault on the Turkish ‘Free Gaza’ flotilla last May, 31st, particularly the lead vessel, the Mavi Marmara. However, certain features of this 30-minute film raise questions once again about the way in which western journalism deals with controversial issues concerning Israel and its conduct in the illegally Occupied Territories. While it claims to investigate the incident from “both sides” of the story to find out what “really” happened, it soon becomes clear from the way it is framed and sourced that the opposing accounts are not treated as equally valid.
Take, for example, the reporter Jane Corbin’s introduction to the film, delivered as she observes Israeli navy commandoes in training for boarding hostile or suspect vessels:
I’ve had unique access to this top-secret unit – Naval Commando 13 has never been filmed by the media in action before. Israel says these commandoes had to fight for their lives on the ship that night. Turkey accuses Israel of an act of piracy. They called it Operation Sea Breeze but what these Israeli naval commandoes encountered on the Mavi Marmara was anything but a breeze. It caused a storm of international condemnation. But did Israel fall into trap? And what was the real agenda of some of those people who call themselves “peace activists” on board the Free Gaza flotilla?
In tone, language and setting, therefore, the film privileges the Israeli account of the incident without nuance or questions such as ‘What was the real agenda of the Israeli operation?’ By contrast, it undermines the account of those on board the Mavi Marmara by drawing suspicion upon their credentials and motivations and by constantly emphasising the use of violence by some of the activists in trying to repel the Israeli assault. Much is made of the commandoes’ use of non-lethal force, including paintball guns. Yet the shooting dead of nine of the activists is merely mentioned, not investigated. The fact that each was found dead with a single bullet to the head is not even raised with the Israeli commandoes.
The programme goes on to consider both accounts in more detail using film taken by the Israeli commandoes during the incident and film shot on board the ship by the anti-war organisation, Cultures of Resistance. It also interviews the chairman of the Israeli Defence Force’s inquiry into the incident, which has questioned some of the tactical decisions taken during the operation but not the strategic principles behind it. Here again, however, it’s clear that the film privileges the Israeli account, handling the oppositional version with much more scepticism. This deference to official and thus “authoritative” sources has long been standard practice in public service news and current affairs so it’s hardly a surprise any more. But that shouldn’t dull our critical faculties. For me, the critical fault in the programme is its lack of context because it hinders our understanding of what this incident was really about and why it happened in the first place.
Explaining the context
Explaining the context of the blockade seems crucial to understanding both why the Free Gaza flotilla set out to break it and why the Israelis enforced it so strongly. However, “Death in the Med” affords very little time to that and omits some essential information. A critical moment comes early in the film when Corbin pays a brief visit to Gaza and tells us that:
Here in Gaza, the problem is not so much a lack of food or medicine. There’s no easy access in or out, no economic life because of the Israeli embargo. Hamas, which rules here, refuses to recognise Israel’s right to exist. Militants have fired thousands of rockets at civilian targets in Israel in the past few years. People [in Gaza] are forced to recycle rubble to rebuild houses – Israel allows in hardly any cement or steel in case they’re used to make weapons and bunkers.
Do you see what she did there? First of all, she tells us the problem in Gaza is ‘not so much a lack of food or medicine’. In fact, it is a crucial effect of the Israeli embargo and one of the key impulses behind the efforts of various organisations to bring the people some relief. Then we have this strange and sudden leap, from telling us about militants firing rockets at Israel to pictures of civilians recycling rubble to rebuild their homes. What’s going on? Are these rockets falling short and hitting homes in Gaza? That’s what the edit implies. And why do the militants fire rockets over the border into Israel? For the fun of it? Are they just testing them out? We are not told.
And why do the people have to rebuild their homes? What happened? Was there an earthquake? Did some Biblical tempest hit Gaza? We are simply left to guess or presume that perhaps the people lost their homes due to some unknown disaster and it just so happens that they can’t access materials to rebuild because of that pesky Israeli blockade. The reporter doesn’t refer even briefly to Operation Cast Lead, Israel’s devastating military assault on Gaza in December 2008, which laid waste to hundreds of such homes and took the lives not just of militants but hundreds of innocent civilians.
So is this just a matter of lazy journalism? I think there’s more to it than that. For Corbin to answer any of these questions would undermine the working assumption of her story: that the Gaza aid flotilla was little more than a propaganda exercise and that the Israelis’ only mistake was to overreact and fall into a trap. In effect, it is the Israeli version of the incident as it has evolved to date. Seen through an Israeli propaganda filter, it is impossible to tell it any other way, like this for example:
Here in Gaza, the problem is Israel’s total control over the densely packed population of 1.5 million people, which Amnesty International says amounts to collective punishment in contravention of the Geneva Conventions – in other words, a war crime. There is a shortage of basic essentials like food and medicine and malnutrition is on the rise. There’s no easy access in or out, no economic life because of the Israeli embargo. Israel refuses to recognise the democratically elected government of Gaza because they say the leading party, Hamas, is a terrorist organisation that denies Israel’s right to exist. Militants have fired thousands of rockets at civilian targets in Israel in the past few years in retaliation against Israel’s punitive security policies. And each time this happens, Israel retaliates with maximum, overwhelming force. Last December, it launched Operation Cast Lead, which devastated Gaza’s infrastructure and took a terrible toll in civilian as well as military casualties. People’s homes were targeted and destroyed and now they are forced to recycle rubble to rebuild them – Israel allows in hardly any cement or steel in case they’re used to make weapons and bunkers.
A propaganda triumph
In the end, ‘Death in the Med’ vindicates the Israeli line and fails to reveal much more about what happened than what most of us already know. It stands as a good result for the Israelis. Of course, it’s not just about a single BBC programme. Much of the information we received about the incident came through the mainstream media, the privileged source of which was, of course, the Israeli authorities. They have been much more successful than their enemies in shaping and dominating the news agenda with their account of this and many previous incidents. In the days after the story broke, the very effective Israeli spokesman, Mark Regev, appeared in almost every major news bulletin on British and Irish television to ram home the Israeli line. Here he is interviewed by Jon Snow on Channel Four News on the day of the incident:
Panorama’s “investigation”, don’t forget, starts off by stating the Israeli case and watching navy commandoes in training. That frames the entire programme: it determines the validity of the Israeli case and questions the motives of the Free Gaza flotilla. It was a stroke of Israeli propaganda genius, part of a clearly discernible and well established PR pattern. Islamic Jihad in Gaza or Hezbollah in the Lebanon launch a small-scale attack on the IDF or on Israeli civilians. Israel responds with overwhelming force, taking a large toll in civilian casualties. The operation attracts widespread, international condemnation – criticism even – from decent journalists like Jon Snow. But it doesn’t matter if the Israelis get a hard time from the media, as Regev got in that interview, because for them the key strategy is to dominate the news coverage with a single, repeated line of defence, which is rarely retracted or modified. In a matter of days, the controversy subsides, the media lose interest and that is that.
By the way, I’m not the only one that’s vexed about this poor excuse for journalism – there’s been quite a lot of complaints about the programme. Google ‘Death on the Med’ and have a look at this post from Harpy Marx.
See also this article in the Guardian by Greg Philo (2004), which examines patterns of news reporting on the Israeli-Palestine conflict that are still applicable today. If you’re up for a more detailed read, then I recommend Philo and Berry’s book, Bad News from Israel, published by Pluto Press. For some historical background and context, see David Hirst’s The Gun and the Olive Branch: The roots of violence in the Middle East, Faber and Faber, 2003; and Noam Chomsky’s The Fateful Triangle: The United States, Israel and the Palestinians, Pluto Press, 1999. They’re both still in print and available through Amazon.